I say this, of course, while referring to someone whose New Year's toast a few years ago to a room full of friends gathered down at his loft near the Financial District was that we should all have, as he phrased it, a "difficult New Year". The surface space of this planet is filled with fluids---air and water---which we humans have adapted to by both natural and technological means. In 1988, as part of the Kyong Park exhibition at the Storefront for Art and Architecture in New York City, Woods proposed a solution of an architectural and political nature to address the crisis in the Korean Demilitarized Zone (DMZ), a strip of land that runs through the Korean Peninsula and almost bisects it, forming a neutral zone between the northern and southern part. He could effortlessly match the greats from other centuries such as Ledoux, Boulee and Piranesi. Thoughtful curmudgeon, incredible visionary and one of the last great draughtsmen. Lebbeus Bigelow Woods (* 31.Mai 1940 in Lansing, Michigan; † 30. "Architecture should be judged not only by the problems it solves," said Woods, "but by the problems it creates. The visionary architecture of Lebbeus Woods is concerned with the cultural regeneration of society, directly confronting urban landscapes and social and political conditions presently undergoing radical transformations. His ideas are therefore pure and bold, architecture for its own sake. The late architect and draftsman Lebbeus Woods got to realize only one building in his lifetime. Although, perhaps the word architect is limiting. I first saw his work by chance in the mid-80s, a big exhibition (with a related book, Origins, still one of my cherished possessions) at the Architectural Association in Bedford Square. Today, I imagine that tomb is occupied by the spirit of Lebbeus. Architecture. Not only generous with his time and well thought out critique, but a quiet optimist always challenging the status quo.Cameron SinclairCo-founder, Architecture for Humanity, Lebbeus Woods was a frequent visitor to the Bartlett School of Architecture in the 90s when we were recent graduates beginning our teaching careers. We not only live within veritable oceans of these fluids, with their ebbs and flows, their flux and in… See more ideas about lebbeus woods, architecture drawing, architecture sketch. Woods did not see his projects as just abstract castles in the air, but in them drew on issues directly from the real world, and he saw architecture as deeply political: famously writing a manifesto that was read out in 1993 in Sarajevo during the seige: “Architecture and war are not incompatible. He is the proud recipient of the prestigious Chrysler Award for his “Innovation in Designs”. His Light Pavilion in Chengdu will be testament that our profession has lost a great voice.Zaha HadidArchitect. Lebbeus Woods born 1940 in Lansing, Michigan is an American architect and artist. Lebbeus had very passionate beliefs and a deep philosophical commitment to architecture. I can't pretend to have been a confidant of his, let alone a colleague, but Lebbeus's influence over my own interest in architecture is impossible to exaggerate and his kindness and generosity as a friend to me here in New York City was a reassuring thing to receive. We were publishing a monograph on his work Anarchitecture: Architecture is a Political Act (1992), which contains some of his most potent images. Lebbeus Woods was utterly unique and entirely irreplaceable, a full-scale terrestrial force for rethinking architecture's relationship not only with the earth and with gravity, but also with all of grounded philosophy, with any belief in stability, in calm. Now, a posthumous project rises from the city streets. I was mesmerised by his depictions of a world parallel to ours, of frock-coated cybernetists experimenting with geometries – at once cosmically phenomenological and just a tad Mad Max, but never with evil intent. Woods has designed iconic and famous buildings in Cuba and China among other countries. His projects, including the recent Berlin-Free-Zone, Zagreb-Free-Zone and Double Landscape, Vienna, propose architecture as an instrument of social transformation. When we invited him to take part in Postopolis NYC, the first of a series of bloggers summits organized with Geoff Manaugh at Storefront gallery, he was so excited by the possibilities of the web that when he returned home he set up his own blog. Open a book on the experimental architecture of that period and Woods' heartfelt and haunting drawings regarding the siege of Sarajevo share space with early works from the likes of Daniel Libeskind and Zaha Hadid. His cigarette had a long grey ash that was about to drop as he greeted me briefly and turned to show me the amazing drawing. Lebbeus will be missed for his formal inventiveness: buildings on stilts, massive seawalls, rotatable buildings that look like snowflakes. But unlike so many of that generation who eventually made the career transition from avant-garde upstarts to global superstars, Lebbeus Woods never got rich by building rubbish. Lebbeus Woods – I salute you.Neil SpillerProfessor of Architecture at the University of Greenwich, Architects including Zaha Hadid and Nigel Coates pay tribute to Lebbeus Woods, the cult building designer who dreamed up fantastical structures from a parallel universe, “Berlin Free-Zone 3-2”, a 1990 proposal by Lebbeus Woods for an abandoned government building in reunified Berlin, Detail from "Havana, radically reconstructed", 1994, The Light Pavilion in the Raffles City complex in Chengdu by Steven Holl Architects, “War and Architecture 2-2”, 1993, provoked by the war in Bosnia, A drawing of tectonic faults from the San Francisco Bay Project, 1995, vast complex of towers in Chengdu by Steven Holl, Anarchitecture: Architecture is a Political Act. Not only were we lucky enough to find a seat at his packed-out lectures but we were also fortunate enough to have him crit our own work. Lebbeus Woods, 1940 - 2012 May 31, 2013 Lebbeus Woods envisaged a world at war. This publication will be ready for the major exhibition of Lebbeus Woods that will open at the San Francisco Museum of Modern Art next February. He was happiest with a crowd of young people around him, deep in conversation, every generational barrier cast aside: happiest not because they worshipped him as a hero, but because new worlds were unfolding in front of him. Looking back at Woods' drawings now contained in that monograph – projects such as the Zagreb Free Zone and Berlin Free Zone – the rawness of their dystopian vision is no less extraordinary. Who else could do this? He also served as a Professor of Architecture at the Cooper Union School of Architecture, and later, as a Professor of Visionary Architecture at the European Graduate School (EGS). 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